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EMPATHY UNIT


MONOLOGUE UNIT


IT’S ALL GREEK TO ME


SOLO PROJECT: MUSICALOGUE


GROUP PROJECT: LIP SYNC PROJECT


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WRITING A THEATRE CRITIQUE


IMPROV


SHAKESPEARE


STAGE MOVEMENT & SCRIPT ANALYSIS


TRIFLES TECH PROJECT


SET DESIGN UNIT


THEATRE 1: THE FINAL UNIT OF STUDY!!!

You have ALMOST survived and only have ONE more CHALLENGE to complete…

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Our Town by Thornton Wilder

You can read along with us HERE: CLICK TO READ OUR TOWN SCRIPT

or watch the full play HERE: CLICK TO WATCH OUR TOWN PLAY

DISCUSSION QUESTIONS



unit 1: THE AMAZING ARISTOTLE (300 BC)


Unit 2: IT’S ALL GREEK TO ME (550-220 BC)


Unit 3: MEDIEVAL (1400’s)


Unit 4: COMMEDIA (1500’s)


Unit 5: Let’s SHAKE(SPEARE) it up!! (late 1500’s early 1600’s)


UNIT 6: COMEDY OF MANNERS/RESTORATION COMEDY/NEOCLASSIC THEATRE (1600 & 1700’s)


Unit 7: ARE YOU MELODRAMATIC ENOUGH? (1800’s)


Unit 8: TIME TO GET REAL(ism)… (1900’s)


Unit 9: Our Last Theatre Unit is ABSURD! (FROM EUROPE after 2 World Wars 1940-1960)

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YOUR FINAL THEATRE PROJECT…


PLAY ANALYSIS RESOURCES


DIRECTING RESOURCES


TECH RESOURCES

Click and explore if you need help with understanding how to create any of these for your director’s notebook…

Prompt Book

Rehearsal Schedule

District One Act Rules

Set Design Rendering

Set Ground Plan

Costume Design

Props List

Make Up

Sound Design

Lighting Design


ADAPTATION

1) How did each clip introduce the main character?

2) What are the similarities in both moments?

3) What are the differences?

4) Which was most effective and why?

ADAPTATION CHALLENGE #1

[Verse 1] Like a movie that you can quote almost every line Like a T-shirt that you have washed 'bout a hundred times [Pre-Chorus] I got used to your voice Like it was my own Now there's kind of a void I'm totally fine though [Chorus] This is the part where I Start losing my damn mind This house is way too quiet And I know the walls would never tell Lately I've been talking to myself What if I play pretend? You're holding me again We're laughing in my head But I know that there's nobody else And I've just been talking, talking to myself [Verse 2] I could replay all your voicemails, but it's not the same But at least then I could always hear you say my name [Pre-Chorus] I got used to your voice Like it was my own Now there's kind of a void I'm totally fine though [Chorus] This is the part where I Start losing my damn mind This house is way too quiet And I know the walls would never tell Lately I've been talking to myself What if I play pretend? You're holding me again We're laughing in my head But I know that there's nobody else And I've just been talking, talking to myself [Post-Chorus] Ooh-ooh, ooh-ooh Talking to myself Ooh-ooh, ooh-ooh [Bridge] I made a list of all the things I couldn't tell you Do you miss me? Are you talking to yourself, too?

NOW YOUR TURN TO CREATE A THEATRICAL ADAPTATION : based on the lyrics, come up with two characters, a location, and five lines of dialogue. Be prepared to share your 5 line scene with the class.

AFTER SHARING SCENES: What was similar between the scenes? What was different? What was easy about the exercise? What was difficult?



SHAKESPEARE


A PERFECT EXAMPLE OF A VISUAL PROJECT ON STANISLAVSKI TECHNIQUES by Haley Root

A PERFECT EXAMPLE OF A VISUAL PROJECT ON STANISLAVSKI TECHNIQUES by Haley Root


ACTING METHODS BOOKS/ARTICLES

Exploration of Checkov’s Elements for acting


WRITING A THEATRE RESUME & CRITIQUE


MONOLOGUE WORK

BUT, if you find a monologue that you like is overdone, research other plays by that playwright and maybe there is another character in a lesser known play that would speak to you also. So that isn’t always a total dealbreaker!! Just a bit more research needed to find an alternative…


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YOUR FINAL THEATRE PROJECT…


WRITING A THEATRE RESUME & CRITIQUE

Critique must be of a show you have seen in the previous month OR Play Analysis on a FULL LENGTH SCRIPT or TWO ONE ACTS (those in Theatre 3 may want to do ONE ACTS as a way to make sure they have read a lot of One Acts for the Director’s Notebook Assignment in the Spring.)



STUDENT DIRECTING


SHAKESPEARE


A PERFECT EXAMPLE OF A VISUAL PROJECT ON STANISLAVSKI TECHNIQUES by Haley Root

A PERFECT EXAMPLE OF A VISUAL PROJECT ON STANISLAVSKI TECHNIQUES by Haley Root

ACTING METHODS BOOKS/ARTICLES

Exploration of CHECKOV’s ELEMENTS for acting



MONOLOGUE WORK

BUT, if you find a monologue that you like is overdone, research other plays by that playwright and maybe there is another character in a lesser known play that would speak to you also. So that isn’t always a total dealbreaker!! Just a bit more research needed to find an alternative…


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